Thea djordjadze biography of abraham james
Her works are suffused with multiple art-historical references, while at the same time they respond to the particular conditions of the exhibition setting. Her sculptures and installations offer viewers a spatial, physical and psychological experience, casting an unanticipated light on particular environments.
Georgia-born Berliner Thea Djordjadze makes careful use of the greenery behind this gallery without ever inviting the viewer outside.
Painted glass panels appear as frequently in her works as her metal sculptures, which resemble three-dimensional drawings of space. Her distinctive plaster sculpture paintings are another important body of workâplaster-filled mahogany frames with sketchily painted surfaces. Viewers are confronted with carpets, folding screens, and shelves, but also architectural elements such as functionless canopies, self-built showcases or exhibition displays for showing works by other artists.
Her objects and installations investigate the idiosyncrasies of particular exhibition conditions. The artist exposes the objects she uses to a process of constant change and exploration, of looking and understanding, feeling-out, selection and rejection. This open-ended method creates a state of uncertainty that gives her work an incomparable freedom, as well as a persistent air of uncertainty.
The resulting installations are multi-layered spaces that contain numerous echoes and memories of other places, bringing together a multitude of temporal planes and layers of perception. It draws on aspects of art by the Georgian avant-garde of the s and discovers an experimental space somewhere between Le Corbusier and Donald Judd.
The art-historical echoes are never explicit, however. Instead, viewers might get the impression that the diaphanous memories of other spaces, and other eras, are overlapping with the immediate experience of the exhibition space. The works are ambiguous interiors that do not operate according to the usual rules and laws of interiors, depending instead on a subtle dissection of how we perceive space.
Features contemporary art, painting, sculpture, video, installations, photography and editions by established and emerging American and international.
Her installations sometimes resemble sketches for an archaeology of inner landscapes: sketches of memories, desires and feelings made spatial. Thea Djordjadze She didn't have friends, children, sex, religion, marriage, success, a salary or a fear of death. She worked , detail.